Call it a reference, call it stealing, or lazy, or being “inspired by”, one fact cannot be denied: Star Wars loves its homages. From whole plots, to character archetypes, to vehicle designs and dialogue, you can see the collage of homages built into Star Wars’ DNA right from the first frames of the first movie. As time has gone on, those homages have expanded to include Star Wars material itself. The breadth of Star Wars material is so vast, that it can successfully draw from other places within the multimedia empire to lend inspiration, or just pirate ideas wholesale. So, in lieu of doing a deep dive into Kanan and Hera’s ever-evolving relationship or how the Loth-wolves represent the same mystical elements of the Force that the Bendu did last season, we’re going to talk about something everyone loves to debate: whether the homages within these last two episodes are valuable, or just creative ripoffs used to get old-school fans to sit up and take notice.

Star Wars Rebels is an odd show from a creative standpoint. The creative team is made up of people who grew up watching and reading about Star Wars rather than creating it themselves, so of course they try to slip in references both direct and indirect to stories and characters that they grew up with but, until now, haven’t been elevated to the same level as the film canon. We see this most blatantly with Thrawn’s inclusion, but once Thrawn is in the mix it’s only a matter of time before other elements of his trilogy begin to creep their way into the show as well. Ladies and gentlemen, from stage left and voiced by the fan-favorite Warwick Davis, please welcome Rukh to the spotlight.

Now, let’s make one thing clear from the outset: the Rukh from Rebels is not the same as the Rukh from the Thrawn trilogy of books. For one thing, the Noghri are a very different race in the show than they are on paper. Gone, for instance, is their comic book-level ability to smell all the way back through people’s bloodlines just by sniffing their hand, replaced with a heightened sense that is believable but still alien. Rukh from the books was a personal bodyguard of the Grand Admiral who never left his side, while this Rukh (from what we’ve seen so far) is more of a freelance assassin and tracker, the sort of troubleshooter that someone in Thrawn’s position might use to do the dirty work he can’t put on the books. Read More

The common parlance (taken, of course, from a line the first film and applied liberally by fans) for the period between the fall of the Republic in Revenge of the Sith and the rise of the Rebellion in A New Hope is “the dark times”. This is when the Empire is at its zenith, with the Jedi long dead and any other opposing forces deep underground to avoid being summarily crushed. For many, especially when Star Wars Rebels was first announced, having a kid-friendly show about the adventures of a precocious teenager set in a time that should be the hallmark of an oppressive authoritarian regime was a perfect example of the “Disney-fication” of Star Wars as a whole. A show like Rebels, with such a light, comedic tone, would never be able to properly show the extent of the Empire’s oppression.

How easy it is to forget that when the Rebels media blitz was getting revved up and the series itself was finding its sea legs, we got a glimpse of the future, of how the show would handle that very subject. Various supplemental sources, like the Servants of the Empire series, hinted that the Empire was going to start to strip-mine Lothal for its natural resources, turning it from its idyllic pastures and rolling hills into yet another cog in the Imperial war machine. As Rebels itself left Lothal in the second season, we lost sight of that vision a bit. On periodic return visits, everything seemed relatively fine aside from the gradually increased Imperial presence, though sources outside of the show like the Thrawn novel touched back on the planet’s mining riches as general background.

Now, though, after the time-skip between the second and third seasons of the show, we’ve finally returned to Lothal proper in “The Occupation”. We go back to familiar locales first glimpsed all the way back in the show’s pilot shorts, now seeing the wind-swept McQuarrie-inspired grassland covered in heavy industrial smoke and dust. We hear that the friendly Ithorian bartender Old Jho, an early ally featured across multiple episodes of the show and even some of the books, was evicted from his establishment and summarily executed by the Empire for treason. The once-friendly locals don’t even dare brave the streets after dark anymore, with all motorized transports impounded and Imperial patrols everywhere. Lothal may have been under Imperial rule before, but now it is under true Imperial occupation, with all efforts being taken to stamp out any further potential rebellion. Read More