Rebels Revisited: “Sounds like a Shipful of Ezras”

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Ben: Writing teenagers is hard. It’s very easy for teens to come off as annoying, since the most common stereotypes for them are them being self-confident, rebellious or angst-ridden, and sometimes all three at once. Of course, most adult viewers won’t remember what being a teenager is like, loaded with the beginnings of emotions and understanding that will eventually give way to adulthood, typically through circumstances and time.

Rebels stepped into this minefield right away by giving us Ezra, the precocious youth with the laser slingshot and enough attitude to thumb his nose at the stormtroopers stomping around his hometown. Ezra has developed a lot over the show’s course, though, so the writers knew better than to just give us a teenager and leave him as it was for the long term. It probably helps that they had experience with Ahsoka’s character arc in The Clone Wars.

In “Iron Squadron”, we meet a crew of three teens much like Ezra when we first saw him: young, scrappy and willing to stick it to the Empire however they can. Unlike Ezra, who was on his own before being found by Kanan, the trio who make up Iron Squadron only have each other. Their leader, Mart, lost his father in the resistance, and it was likely his idea for them to take a ship and use it to fight back however they could. Unlike Ezra, who was embittered about fighting after his own parents’ death, Mart sought to follow his father’s example. Read More

Rogue Discussions: The Story Trailers of Rogue One

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A while back, we did a discussion article on the initial teaser trailer for Rogue One. Now with the full story trailers unveiled, it’s time for a sequel as we adjust to two trailers, combining to be about five minutes, packed full of awesome imagery.

Part 1: The Death of Imperial Cool?

Ben: One thing that occurred to me watching the trailers is that this could well be the first real depiction of what the original trilogy only hinted at – life under Imperial rule. It might be said Rebels got a bit closer to that in its first series when Tarkin turned up, but by its target audience, it could only go so far. This film can go much further. The sense I get from the story trailers is the Empire slowly crushing the life out of the galaxy. It is quite simply dominating it into submission and the ultimate tool of that is the Death Star.

One thing the new material appears to have aimed at from the start is rendering the Empire both as more seductive, but also more brutal and far more irredeemable than its Legends counterpart. At the same time, Star Wars has always had a tendency to give its villains the best toys. Sure, the Rebels have their X-wings and the Falcon, but the Empire gets the Star Destroyers, TIEs and walkers. Divorced from what it is actually about, the Imperial aesthetic is designed to be both cool and intimidating – it sends an attractive message: Join us and you get to wear this and use these things.

What I wonder is if Rogue One will blow a large hole in this aesthetic of Imperial Cool by showing in far greater detail what the Empire is really about. Nowhere is that more emphasized in the trailer than in the way it goes about depicting the Death Star: so massive that just its laser dish eclipses Star Destroyers, while the thing itself can blot out the sun. There’s no explanation or justification for the Death Star, it is a form of technological malice without restraint. So in the wake of that, is the Empire still cool? Or are all its tricks to sucker people in revealed as the work of an insatiable predator? Read More

How Much Technology in Star Wars is Too Much?

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With the recent return of Star Wars Rebels, we’ve finally been exploring the aftermath of Kanan Jarrus’s blinding last season. Kanan’s existing doubts and fears were only amplified by his handicap, and he spent months in apparent isolation before finally learning from Bendu how to use his Force senses in place of the real one he lost.

“Warrior learns how to see without seeing” is a time-honored trope that was all but made for Star Wars, and I loved seeing Rebels‘ take on it—I see the value in telling that story, not just for its own sake, but as a means of growing Kanan as a character and opening his mind to new paths. But at the same time, I admit I have a little suspension-of-disbelief issue with it: couldn’t the guy just get new eyes? Forget the ample prosthetic limb technology that we already know exists; if they can clone an entire army of dudes and age them at double their natural rate, surely they could clone him new biological eyes?

Well, maybe, but maybe not. Post-reboot, there are far fewer examples of cyborgs in Star Wars than there used to be, and the ones that we do see often are often portrayed as faulty or not quite optimal–so it’s unclear whether a robotic eye, or a cloned one, is actually possible, as counter-intuitive as that might be. The reality is, Kanan doesn’t have new eyes because that story wouldn’t be as interesting—just like Return of the Jedi wouldn’t have been as interesting if Luke had to duel with his left hand only. Read More

All is as the Force Wills it – Unpacking the Rogue One Trailer

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So many pretty new pictures! I got together over the weekend with David Schwarz, Ben Crofts, and eventually, guest contributor Nick Adams, to discuss our immediate reactions—thrills, hopes and concerns—to the new trailer for Rogue One that premiered last Thursday. That’s all there is to say—enjoy!

Mike: First topic: it’s hard to have a measured conversation about a trailer without devolving into “ohmigod that shot was so cool”, so purely from an aesthetic standpoint, what were some of your favorite images?

David: It’s hard to choose, isn’t it? That trailer was a feast!

Ben: Superlaser star destroyer eclipse, Donnie Yen = badass

Ben: The canyon sequences were damn cool.

David: I have to go with the Death Star eclipsing Jedha’s sun. There’s something primal about eclipses, I guess. Plus it made me think about what the view from Alderaan was.

Mike: I choose to think that the Death Star went out of its way to block the sun just to mess with everybody.

Ben: Eclipses are just a great homage to THAT Empire sequence with the Executor. There’s also that talk Tarkin gives in Darklighter about seeing the Death Star rise above a world.

Mike: I wonder if Alderaan could see it at all—it seems way, way closer to Jedha than it was to Alderaan. Which could have any number of implications.

David: I also loved the final shot, the “we are with you to the end”. A bunch of nobodies ready to fight the Empire. 100% Star Wars. Read More

What Will You Become: Saw Gerrera and Armed Revolution

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The Star Wars universe, despite originally depicting a very Manichean struggle between good and evil, has become in the decades since the original movie a very morally nuanced place. I’ve mentioned before that if I look at the current status of the franchise, I’m tempted to consider Star Wars to be more of an anti-war story than a war one, but that’s a debate that we’ve had on this website very recently. Personally, I feel that although the original trilogy no doubt romanticized armed insurgency, George Lucas’s point of view on war and violence had evolved and become considerably more pacifist by the time the prequels and The Clone Wars rolled in.

Behind the curtain of space fantasy, George Lucas told the audience about things like false flag operations, the military-industrial complex, and factionalism in insurgencies. The heroes of the story, the Jedi, lose because they get involved in war. War itself is bad. If we look at the totality of the material that Lucas himself produced under the banner of Star Wars, behind all of the heroics and the swashbuckling, it sure appears to tell us that war sucks. But is there a way to add a bit more nuance to this message without negating it? Read More