On Theorizing, or Why Benicio Del Toro is Playing Ezra Bridger and I’ll Fight You Over It

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Last month’s The Last Jedi photo spread in Vanity Fair, among lots of other things, gave us our first look at the characters played by Laura Dern and Benicio Del Toro—something that’s especially interesting for Star Wars, where knowing that an actor is “in” a movie isn’t necessarily a guarantee that you’ll see their face. While Dern’s character was given not just a name, but a rank and affiliation—Vice Admiral Amilyn Holdo of the Resistance—Del Toro’s character is identified only as “DJ”, and if the accompanying article can be trusted (though let’s be honest, it can’t), he gets no moniker at all in the film itself.

Picking through the scraps of information doled out in advance of a new film and trying to decide what’s important is one of the most fun things about this new era for me—who is Bobbajo? What’s a “Guavian Enforcer”? And who is this intriguing Constable Zuvio?? For us to know about them months beforehand, these must be crucial parts of the story, right?

Well, nope. Not remotely. The truth of Star Wars is that everything is a “big deal” in the sense that it’s new and fantastical and captures people’s attention—but actually playing a major role in the story is another thing entirely. This is reinforced by the fact that many well-known, respected actors will gladly sign on for what amounts to a cameo role, or even a completely anonymous one, just for the thrill of being in Star Wars. Knowing that Benicio Del Toro is in The Last Jedi, in other words, is a very, very different thing from knowing that his character matters. The fact that he allegedly doesn’t even have a full name supports this—“DJ” could be to TLJ what “Bobbajo” was to The Force Awakens: a glorified walk-on role.

Having said all that, though? I decided pretty quickly that he’s playing a grown-up Ezra Bridger. Read More

Star Wars Overload – Better to Fade Away than Burn Out?

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Mike: A couple months back, Disney CEO Bob Iger gave a public update on the status of the Star Wars franchise, confirming that The Last Jedi isn’t being altered in response to the death of Carrie Fisher, making his oft-misinterpreted comment that the Han Solo movie will depict the title character “getting his name”, and much less reported but no less consequential, stating that discussions were underway for “another decade-and-a-half of Star Wars stories.”

This brief burst of newsiness was followed soon after by Celebration Orlando, which was of course followed by weeks of speculation on the new teaser and Luke’s fateful closing line. But while there’s been no shortage of new material this spring to go with the news, things at ETE have been pretty dry for the last few weeks. Speaking for myself, as a news junkie it’s been hard to devote much mental energy to Star Wars with so many major political developments going on here in the US—even as I slowly work my way through Thrawn and, currently, Rebel Rising. And while I didn’t attend Celebration myself, it’s not uncommon to hear talk of attendees needing a “Star Wars break” afterward, lest they end up in a full-bore burnout.

With potentially fifteen years of Star Wars filmmaking coming down the pike (if not more), burnout is a very real concern for fans these days—for some of us, maybe for the first time ever. To those of you who were at SWCO, have you found your interest slipping in the month since? And to all of you, do you find your Star Wars attention span to be cyclical, with periodic rest periods, or does it depend more on what content is coming out at a given time? Can anyone honestly say they’ve never felt genuinely burned out on Star Wars, even for a little while? Alternately, what’s the longest you’ve ever consciously stepped away from it? Read More

The Case For a Reconstructed Thrawn

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Ages and ages ago, I wrote a really long “Top 20 Expanded Universe Moments” piece for my personal blog at StarWars.com, which was a thing they let you have once. [1]If you’re interested, I ported it over to ETE when we got started here—it’s a pretty good snapshot of my tastes and priorities back when the EU was the only game in town. Most of it was the kind of thing your typical EU fan would gush over, but two entries were devoted to stories totally outside Legends continuity—what was then called Infinities.

One, actually my third most memorable moment, was a standalone Darth-Vader-versus-Darth-Maul story from Star Wars Tales, which sounds like the fanwankiest thing ever (and I mean, it was) but also happened to be a very interesting examination of Vader through the lens of a much more straightforward, dogmatic Sith Lord—who nevertheless proved to be the weaker of the two. The other was from the Infinites retelling of A New Hope, in which Han ends up accompanying Luke to Dagobah and, being a con man himself, immediately sees through the hermit routine—“this guy’s Yoda!”

What these two stories had in common was that they offered really interesting insights and character moments that couldn’t have happened in continuity as it was then. [2]Maul ended up coming back for real, of course, but that’s neither here nor there. Ideally, that was the entire point of Infinities as a branding—not only can “what if” tales be great stories in their own right, but they can enhance our understanding of characters’ “true selves”, by showing how they might comport themselves in far-fetched circumstances. Read More

References
1 If you’re interested, I ported it over to ETE when we got started here—it’s a pretty good snapshot of my tastes and priorities back when the EU was the only game in town.
2 Maul ended up coming back for real, of course, but that’s neither here nor there.

One Movie, Too Many Freaking Options: Which Rogue One is For You?

tfa-bb8coverMike: When it comes to home video, Star Wars fans have never been starved for options. Indeed, you’d be hard pressed to find a fan over a certain age who hasn’t at least bought the original trilogy multiple times just to keep up with modern formats—on top of which you’ve got Special Editions, box sets, new individual releases with the original cuts included, etc. And that’s just the old movies; now that we’ve got a new Star Wars film every year for the time being it looks like there are several options to consider with each: DVD, Blu-Ray, 3D Blu-ray, digital download, and if The Force Awakens is any indication, another fancy deluxe set at the end of the year with all the special features they didn’t include the first time.

With the digital Rogue One having been out for a couple weeks now and the hard copies showing up tomorrow, what calls have you guys been making amidst all these options? As if the different formats weren’t enough to keep track of, TFA and Rogue One both come in a few different slipcovers exclusive to different retailers, and wouldn’t you know it, I happened to fall in love with the neat-o BB-8 cover at the top of this article, which meant dragging myself to Walmart of all places, for the first time in several years. While it’s a bit more of a trek for me than Target (or Amazon, obviously), now that it looks like that character-focused style is going to be a recurring design thing I guess I’ll be going back to Walmart this week to pick up Rogue One. What about the rest of you? Do any of you actually buy multiple copies, to take advantage of the earlier digital release, or the better bonus features later on?

Jay: I always go for the Blu-ray, and it’s for the simple reason that I want to see Star Wars films in the best way that I possibly can. Right now, that’s Blu-ray on an HDTV. Of course, sometimes I just want to watch the movie and I can’t be bothered so I’ll watch it on the computer or phone or whatever else but that’s the trick: the Blu-ray already comes with a free digital copy, which is redeemable at the distributor of my choice (and through Disney’s rewards thing, through multiple distributors). I’ll also watch the digital version when I want to take screenshots, because while I own a BD-ROM drive as well, PC BD-player software annoyingly doesn’t let you take screenshots (and moreover, PC BD-player software is largely garbage). Read More

Rebels Revisited: But Was it Artistically Done?

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David: What makes a good villain? Is it an easy-to-understand motivation? Is it a certain degree of likability? Is it intelligence, perhaps, or the ability to command respect? Or maybe a personal connection to the heroes? Or is it that hard-to-define but easy-to-recognize factor that we often call coolness? Darth Vader has all of these, and that’s the reason he is one of the best villains in modern culture. His screen time in Star Wars Rebels season two was short but definitely memorable, going from a really strong first appearance where he basically made our heroes run for their lives to one final showing where he (maybe) killed one of the most loved characters in the franchise and left the rest of the crew reeling from the impact. But how have the other Rebels villains lived up to this example? Especially: how good of a villain has Grand Admiral Thrawn been?

When the trailer showing the animated Thrawn was first shown at Star Wars Celebration London, the room went completely wild. There you had what was probably the most popular villain from Legends jumping to the small screen and becoming the main opponent for the season, a successor to the Grand Inquisitor and Darth Vader. There he was, looking at art (omigosh at Sabine’s graffiti) and talking cryptically about the imminent destruction of the Rebellion. But once the initial excitement wore off there was one question hanging in the air: would the series do justice to the Grand Admiral? Timothy Zahn seemed to think so, but how would Thrawn work through the whole season? Was this the same old Thrawn from 1991?

No, he definitely wasn’t the Thrawn we were used to. Read More