Rebels Revisited: “When Have I Asked You to Trust Me and it Hasn’t Worked Out?”

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Mike: While it was as entertaining as Hondo episodes always are, the thing I found sort of perplexing about this week’s installment of Star Wars Rebels was that I’m not certain what they want us to think of Hondo at this point. He stands firmly apart from the assortment of quasi-recruits we discussed last week in that he has no direct interest in the Rebel cause and only works with them when he can get something out of it, but it seemed like the larger point of this episode was to suggest to viewers that Ezra is fundamentally mistaken in trusting him, and continuing their chaotic friendship is going to lead our heroes to a bad place.

But would that amount to sowing doubt for its own sake, or are Hondo and Ezra headed for a real split soon? It’s more likely, I think, that they’d want us to think they are in advance of a genuine hero moment for Hondo. For all the noise the characters make about him only being out for himself, the creators have always had so much obvious affection for the character (going back to his adventures with Obi-Wan and Anakin in The Clone Wars) that I have a hard time seeing him ever truly betray Ezra and the gang in a serious way—as Ezra notes, he may be sketchy but teaming up with him has always worked out in the end. Are they really signaling a change in that dynamic? According to Taylor Gray in Rebels Recon, Ezra feels genuine affection for Hondo because he reminds him of the carefree scoundrel he was as a child–so what did he take away from this week’s events that he didn’t know already?

Ben: Well, right now it seems to be a question of driving a wedge between him and Hera. Hera’s buckled down on the shenanigans as things have gotten more intense and serious, especially with Kanan being blinded and taking a backseat, and having Hondo (and Azmorigan) around is putting an agent of chaos into the mixture. I feel there was a bit of meta-commentary when Ezra mentioned that every time they team up with Hondo, things seem to work themselves out in the end. Even in this episode, they rescued the Ugnaught and got away with a hold full of proton bombs. Yes, it does work out, we know from a narrative standpoint that it will because Hondo is who he is from an out-of-universe perspective. But Hera doesn’t have our perspective, and neither does Zeb. Read More

Is the Empire a “White Supremacist” Organization? Should It Be?

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Mike: Many, many moons ago, before The Force Awakens and before the Expanded Universe reboot, our own Jay Shah wrote a piece entitled Senseless Sexism in the Galactic Empire. His premise, in short, was a) that the Star Wars setting offered no logical explanation for an Empire that actively discriminates against female officers, and b) that in practice the EU’s attempts to engage with the issue had been flawed to the point that it would have been better left out altogether.

Jay was reacting to the simple fact that because Imperials are the bad guys—and more importantly, stand-ins for real-life oppressive governments—many are quick to ascribe any and all bad qualities to them. Surely there’s an anti-alien contingent, as witnessed in A New Hope and further supported by the prequel trilogy, but does the Empire actually discriminate against women, or people of color, as well? It’s easy to get that impression when every Imperial in the original trilogy is a white man (though the Rebels in ANH and The Empire Strikes Back aren’t much more diverse), but looking at their successors in the First Order complicates the issue—as do prominent non-film characters like Rae Sloane, who has largely been met with joy from fans for making the overall setting more inclusive, and demonstrating that anyone can be, well, “the bad guy”.

With all this serving as prelude, in the aftermath of last week’s heated US presidential election, Chris Weitz and Gary Whitta, two writers attached to Rogue One, tweeted the following:

Chris Weitz @chrisweitz
Please note that the Empire is a white supremacist (human) organization

Gary Whitta @garywhitta
Opposed by a multicultural group led by brave women.

While nothing tossed off on Twitter (and since deleted) should be taken as canon, and it certainly can’t undo the existence of the powerful, serious black woman who becomes the nominal leader of the Imperial military after Palpatine’s death, I thought Weitz and Whitta’s comments (and let’s be real, the current events that prompted them) merited a revisiting of this topic. So I’ll put the question to all of you: as a separate matter from the “reality” of gender and race discrimination within the GFFA, which can never really have a definitive answer, is there value in explicitly, rather than allegorically, linking the Empire to misogyny and white supremacy? Can there be a sliding scale of interaction with real hate, or is it all or nothing? Read More

Rebels Revisited: “Sounds like a Shipful of Ezras”

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Ben: Writing teenagers is hard. It’s very easy for teens to come off as annoying, since the most common stereotypes for them are them being self-confident, rebellious or angst-ridden, and sometimes all three at once. Of course, most adult viewers won’t remember what being a teenager is like, loaded with the beginnings of emotions and understanding that will eventually give way to adulthood, typically through circumstances and time.

Rebels stepped into this minefield right away by giving us Ezra, the precocious youth with the laser slingshot and enough attitude to thumb his nose at the stormtroopers stomping around his hometown. Ezra has developed a lot over the show’s course, though, so the writers knew better than to just give us a teenager and leave him as it was for the long term. It probably helps that they had experience with Ahsoka’s character arc in The Clone Wars.

In “Iron Squadron”, we meet a crew of three teens much like Ezra when we first saw him: young, scrappy and willing to stick it to the Empire however they can. Unlike Ezra, who was on his own before being found by Kanan, the trio who make up Iron Squadron only have each other. Their leader, Mart, lost his father in the resistance, and it was likely his idea for them to take a ship and use it to fight back however they could. Unlike Ezra, who was embittered about fighting after his own parents’ death, Mart sought to follow his father’s example. Read More

Rebels Revisited: “You Have Stayed True to Our Ideals” – Sabine and Mandalorian Culture

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Mandalorian culture has been a rather interesting topic of discussion for quite a while now, pretty much since Boba Fett first walked onto people’s screens, and the idea was seeded that he came from a culture of warriors dressed in similar armor. It’s been teased, fleshed out, then rolled back and retconned and fleshed out again several times, from the pre-prequel era in Boba’s early Expanded Universe exploits, through the prequels with Jango Fett’s backstory and Karen Traviss’s books, then in The Clone Wars, and now in Rebels.

Back in TCW, most of the slate was wiped clean, with the idea that Mandalore had been taken over by a largely pacifistic faction and their warrior culture was frowned upon and shunned. The few warriors who stuck around were labeled terrorists, siding with the Death Watch. Then Obi-Wan got involved, Darth Maul arrived, and things started to go downhill very quickly. By the end of what we’ve seen (with the fabled “Siege of Mandalore” being largely unknown) Mandalore has been torn to shreds by civil war, with Duchess Satine and her faction being all but wiped out and two factions of the Death Watch battling for control of the capital.

Since then, Rebels has been trickling out the details about what Mandalore is like in bits and pieces. Sabine mentioned in the first season that she had attended the Imperial Academy there, and in the second season we were introduced to Fenn Rau and his Protectors, a faction of soldiers acting as police of a hyperspace lane. They value honor, respect the strong, and strike an alliance with the Rebels while still nominally serving the Empire in an attempt to maintain their independence from either faction. We also got our first clues of exactly who Sabine Wren is, in that her family is said to be loyal to clan Vizsla, the same clan as the leaders of the Death Watch. Read More

Rogue Discussions: The Story Trailers of Rogue One

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A while back, we did a discussion article on the initial teaser trailer for Rogue One. Now with the full story trailers unveiled, it’s time for a sequel as we adjust to two trailers, combining to be about five minutes, packed full of awesome imagery.

Part 1: The Death of Imperial Cool?

Ben: One thing that occurred to me watching the trailers is that this could well be the first real depiction of what the original trilogy only hinted at – life under Imperial rule. It might be said Rebels got a bit closer to that in its first series when Tarkin turned up, but by its target audience, it could only go so far. This film can go much further. The sense I get from the story trailers is the Empire slowly crushing the life out of the galaxy. It is quite simply dominating it into submission and the ultimate tool of that is the Death Star.

One thing the new material appears to have aimed at from the start is rendering the Empire both as more seductive, but also more brutal and far more irredeemable than its Legends counterpart. At the same time, Star Wars has always had a tendency to give its villains the best toys. Sure, the Rebels have their X-wings and the Falcon, but the Empire gets the Star Destroyers, TIEs and walkers. Divorced from what it is actually about, the Imperial aesthetic is designed to be both cool and intimidating – it sends an attractive message: Join us and you get to wear this and use these things.

What I wonder is if Rogue One will blow a large hole in this aesthetic of Imperial Cool by showing in far greater detail what the Empire is really about. Nowhere is that more emphasized in the trailer than in the way it goes about depicting the Death Star: so massive that just its laser dish eclipses Star Destroyers, while the thing itself can blot out the sun. There’s no explanation or justification for the Death Star, it is a form of technological malice without restraint. So in the wake of that, is the Empire still cool? Or are all its tricks to sucker people in revealed as the work of an insatiable predator? Read More