Rebels, Greg Weisman, and the Disney Factor

Posted on February 21, 2014by Feature Articles, Sidelong Glance

Ghost_crew_shenanigans

As more and more information has been revealed about the upcoming TV show Star Wars: Rebels, including a couple of recent teaser trailers, a fissure has opened in the fandom. Just like The Clone Wars before it, the prospect of an animated series oriented toward a younger audience has a polarizing effect on most fans. A sampling of YouTube comments on the recently released teasers (not usually a healthy practice) shows a clear divide, with some voices praising the return of beloved elements like TIE fighters and stormtroopers, while others complain about the prospect of a teenaged character in one of the lead roles, already decrying the show as looking worse than TCW.

Of course, all of this is speculative and uninformed, since as of the writing of this article, the show is still several months away from airing. We know almost nothing about what the plot or arc of the show will be, and nothing about any of the cast aside from three character profiles and leaked pictures of toys. All we know for sure is who will be working on the show behind the scenes: Dave Filoni, who headed up The Clone Wars after Henry Gilroy departed in season 2, Simon Kinberg, writer of X-Men: First Class who is involved with the story of both Rebels and (according to rumors) the live-action movies looming on the horizon, and Greg Weisman, writer and producer of numerous lauded and praised cartoons over the years.
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Senseless Sexism in the Galactic Empire

Posted on February 20, 2014by Imperial Court Circular

daala-ercRecently on the Imperial Court Circular, we’ve discussed the gendered aspects of fan service as well as the elements of what makes the Galactic Empire the primary Star Wars antagonist. Today we’ll blend issues of the sexes and the Galactic Empire by discussing one of the Galactic Empire’s most enduring and iconic traits: institutionalized misogyny.

As we’ve discussed on this site in the past, the Galactic Empire has particular political and historical antecedents: among them, Nazi Germany, Imperial Rome, the British colonial empire, and even certain American presidential administrations. The Empire has taken many traits and trappings from these inspirations, from Nazi-styled military uniforms to a political organization that reflects the rise to power of figures such as Julius and Augustus Caesar, Napoleon Bonaparte, and Adolf Hitler. The tone of the Empire reflects both the successes – particularly of the more positive British and Roman examples – and darkest traits of these inspirations: military dictatorship, pervasive propaganda, and racial bigotry (in the case of the Galactic Empire, anti-alien bigotry).

Sexism never made much sense as being one of those defining traits of the Galactic Empire. Sexism in fiction generally has two authorial justifications: first, as a reflection of actual historical sexism in the setting of the story and second, as an attempt to engage and criticize contemporary sexism through the lens of a fictional story. Since Star Wars is an invented universe, the first justification is a bit of a reach despite the historical inspirations for the Galactic Empire, and the second justification is unconvincing because of the EU’s failure to adequately address in-universe sexism in a constructive fashion.

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The Expanded Universe Explains, Vol. VI

Posted on February 18, 2014by Scotch Tape and Popsicle Sticks

yoda escape pod concept

13. How did Obi-Wan know where Yoda was?

First, some background.

Dagobah, while not being at all noteworthy in a political sense, is a fairly noteworthy planet as far as the Force is concerned. It was “discovered” and subsequently forgotten multiple times over the years, and one survey team actually found that life there was abnormally ripe for genetic and medicinal research (remeber Luke’s “massive life form readings”?). Likewise, one of the reasons Yoda chose to hide there was because it was so choked with myriad other life forms that his own Force presence would be largely subsumed and harder to detect. Whether the strong Force signature caused the biological potency or vice-versa is pretty much a “chicken v. egg” situation, so it’s easier to just look at Dagobah as the Amazon rain forest of the Star Wars galaxy—teeming not just with life, but with an abnormal variety of life with abornally unique properties.

One thing that tends to bug hardcore Expanded Universe fans is the unusual amount of important events and/or people on Tatooine—a planet that’s very explicitly stated to be the ass end of space, but is constantly revisited due to its iconic status. Dagobah has a similar problem, relatively speaking, but its role as a major waypoint in the Force-User’s Guide to the Galaxy is, as I’ve discussed before, the ultimate get-out-of-jail-free card where coincidental arrivals are concerned. As such, there are a couple options for the origin of the dark-side cave, but the most likely candidate these days is a duel between an errant unnamed Dark Jedi Master and the Jedi Knight Minch—who was sort of a wink-wink, nod-nod stand in for a younger Yoda himself—in 700 BBY. The Dark Jedi was killed, leaving a stain on that location around which the cave eventually evolved. The origin of this story was a reference all the way back in Heir to the Empire to Yoda killing a Dark Jedi there; Lucas gospel, however, maintains that Yoda had never been to Dagobah prior to Revenge of the Sith, hence the stand-in. The death of a major dark-sider leaving a mark like that is pretty standard fare; in fact, one of the more creative fan theories going around in the early days of the prequels was that Naboo would somehow become Dagobah, and the cave was the spot where Darth Maul had died.
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Everything is Interconnected and Interdependent: KOTOR II and the Religions of India

Posted on February 17, 2014by This Belongs in a Museum

In Knights of the Old Republic II, a motif of echoes and vibrations is woven throughout the narrative, particularly with regard to the Force, and to the actions of an individual. Many of the characters, from the fallen Jedi Kreia to the adorably psychotic assassin droid HK-47 voice notice of how the actions of an individual, a group, or something more metaphysical can create a cascade of after-effects- ‘echoes’, or ‘resonance’, as they are termed in the game.

HK-47 comments upon how, by mistranslating a single word, an interstellar war between several insectoid species was instigated, and through this war the Republic was able to gain influence over an entire sector, shoring up the rapidly failing galactic government. Visas Marr, in her first scene with Darth Nihilus, mentions that she can “hear” the echoes of the Exile’s actions against the background noise of life in the universe. Kreia draws the Exile’s attention to the background hum of the Force itself on Nar Shaddaa, by listening with her heart- a method the Exile later uses to open the bounty hunter Mira to the Force. Many of Kreia’s lessons utilize the imagery of echoes and resonance to teach the Exile about the long-term, often unintended consequences of actions and ideas. Indeed, Kreia’s ultimate goal is to murder the Force itself through some complex utilization of echoes- to create an echo that would drown out the Force itself, to at last break its seemingly fickle will.

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Take No Prisoners

Posted on February 14, 2014by Feature Articles

There’s a theory that Star Wars is a simple story of good guys and bad guys, in which the heroic, idealistic Rebels, overthrow the evil, oppressive Empire.

But come on. We all know that a lot more complicated than that.

No?

Does the phrase “Death Star Daycare” mean anything to you?

No, it’s not one of those quirky little comic strips in Star Wars Tales. It’s the observation that Grand Moff Tarkin’s technological terror is so darn big that it probably contains an awful lot of ordinary people in its massive crew. Military families. Imperial Army brats. Ordinary enlistees from the Mid Rim who just joined up to see the galaxy.

And Luke Skywalker blew them all up.
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