She’s Not a Jedi Yet?

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I remember reading with interest the rebirth of the Expanded Universe with the release of the Thrawn trilogy. We were going to find out what happened with our favorite characters. And I was sure that we were going to see the tales of adventure that two young Jedi would have – the adventures of Luke and Leia. Because, of course Leia would be a Jedi. That was basically Yoda’s dying request to Luke – “pass on what you have learned! There is another Skywalker!”

Zahn didn’t go that way. Leia had undergone some nominal training, but the realities of politics in a galaxy far, far away (literal politics – not gender politics but organizing a new galactic government) stood in the way. It actually was a theme of the trilogy – the fact that Leia wasn’t making time to learn, that Luke felt fears about training her. She did learn a bit. Zahn did a great job with that bit of character development. But then, in the rest of the EU, she just stopped learning. For something like twenty odd years. So many of the stories just wouldn’t move on to Leia finally becoming a Jedi.

Then we had The Force Awakens come out. J.J. Abrams has said that part of what drove the creation of the story was answering the question, “who is Luke Skywalker?” Fair enough – interesting entry point. But now things would be fixed, because surely, this time around, Luke would do what Yoda said and train his sister. Except, once again, those in charge of officially telling the story decided that Leia wasn’t going to be a Jedi. She’d be Force-sensitive – we see that in the film – but Leia appears to have purposefully not trained as a Jedi. Her talents thus remain latent, never reaching their full potential. Read More

Why Give A Damn for Dameron?

poecomic1So, I’m not seeing The Force Awakens yet but am very much interested in the Poe Dameron series, why? Surely, the very act of being interested in such a comic indicates cognitive dissonance at work in my psyche? I say I’m not seeing TFA yet am intrigued by a comic featuring one of its characters? I suppose I could blame Before the Awakening. I did pre-buy that way before the film came out and was stuck with it. But, I haven’t yet found a duff story written by Rucka and so it proved to be so three times over with that book! In this case, I have no such excuse – so why do it?

Let’s consider a tale of taxation. Yea, I refer to the now infamous opening scrawl of The Phantom Menace. Taxes? That’s never going to work as a Star Wars story, no one is going to care about taxes. And that was the view for a while, then a year or so after the film came out, a book called Cloak of Deception was published. A prequel to a prequel, it actually took that nonsensical scrawl and brought order to its chaos. Luceno would go on to do two more books in a similar vein and each aided the main story being told by the films.

Going further back, there is the little matter of how the fan base for Wedge Antilles was tapped to end up with an entire line of stories – ten-to-fourteen books, depending on how you count them and a thirty-five-odd-issue comic run are very respectable stats for what are minor characters. They are also, in the majority of cases, Force-less. What made the X-Wing series sing more than anything else was a downplaying of the Force and the mystical powers it grants. Instead the flying skills of Wedge and Tycho – and later, the deadly Baron Soontir Fel – were portrayed as superb fast thinking combined with equally skilled three-dimensional situational awareness. There’s a great section in I, Jedi, where one of the exceedingly few Force-sensitive pilots, Corran Horn, sims against Tycho Celchu. Horn taps into the Force pre-cognitive ability but finds it is of limited use because Tycho’s adaptive abilities are too damn fast. Sure, Horn can tell what Tycho might do, but at any one time, Tycho’s also running a slew of contingency options, any one of which he can go for. Horn only just won, and only by resorting to the Force. Read More

Rebels Revisited: The Matter of Simmer v. Boil

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Ben: Star Wars Rebels‘ first season was a rather brisk affair. With only sixteen episodes’ worth of run time total, we were delivered character introductions, development of those characters, decisions with consequences and plot twists, and a satisfying, rousing conclusion that led nicely into a future full of possibilities. What that meant in terms of storytelling was there was little to no room for padding; every episode paid off somehow at some point, and plots that you might have thought for sure the storytellers had forgotten about wound up coming back.

The second season, by comparison, has had a good deal more than that, around twenty-two episodes, and of course we were all happy at the prospect of getting even more of the show and characters we loved. What I didn’t count on, and what caught a lot of people off-guard, is that the storytelling gears shifted. Rather than continuing to embrace the same taut pace, season two is taking its time with many things. We’ve been introduced to a load of new characters who all had the potential to recur, both good and evil, and a lot of hints and ideas about characters that may or may not pay off later on.

In “The Protector of Concord Dawn” for instance, we got hints about Kanan’s past during the war (directly referencing a current comic storyline, natch), as well as Sabine’s own Mandalorian pedigree, Hera’s position as Phoenix Leader, and the Rebel fleet’s scattered resources slowly coming together. All of it was following up on things that had been seeded earlier this season, but they’re far from concluded at this point. And we got a whole new faction of characters introduced in the Mandalorian Protectors, who might play a huge role later on, or might not play a role at all. Who knows? Read More

Homer, Virgil, and That Guy on Twitter

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Speculating is fun. Speculating on story possibilities in worlds as deep as Star Wars and coming up with complicated theories that weave together multiple narrative threads from canonical media that could never be reasonably expected to be explained on screen for a movie-only audience is a blast.

Many of us love knowing that there are people who get paid for doing basically that, and hate, essentially, that we are not those people. So we do it anyway, without an expectation of payment, or for our ideas to actually show up on screen. Or at least we shouldn’t have those expectations.

If you asked me if I write fanfic, I’d answer quickly and swiftly that I don’t. Except when I took a moment to actually think about what that means, I realized that this isn’t entirely true. I don’t write fanfic in the traditional prose sense, but I love writing up bullet points of speculative connecting tissues and frameworks, what-if scenarios, Sandboxes and Structures that would be great fun for others to play around in. Read More

How I Learned to Stop Worrying and Love Tolerate the Starkiller

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Let’s face it: at least among adult Star Wars fans, there aren’t a whole lot of people who unreservedly love the Starkiller plot thread in The Force Awakens. To those, like myself, who do love the movie overall, it’s seen as a necessary evil or at worst an isolated misfire, while those who dislike the movie see it as perhaps the worst of a long list of haphazard original-trilogy knockoffs.

In the months leading up to the film’s release, as the existence of a superweapon became apparent, I made my feelings clear that I’d have been happier without it, or at least with a different spin on the idea—it being a bluff for propaganda purposes, for example, rather than a functioning weapon. Nevertheless, the film came out and boy, was it ever functional.

While I’d still say that it’s the weakest element in an otherwise very strong movie, the more I’ve thought about it, and the more I’ve learned about the First Order, the more I’ve come to terms with the Starkiller—what it represents out-of-universe, and what it suggests about the sequel-era GFFA in-universe. Read More