Rebels Revisited: Empire of Ambition

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The theory behind any social Darwinist system is that not only do the fittest survive, but society is purportedly better off when competition encourages innovation and achievement. “Always Two There Are” demonstrates how rivalry and competition not only serve as the basis for advancement within the Inquisitorius, but as the fundamental organizing principle of the Galactic Empire. Already in this episode, the audience sees that this competition might sow the seeds for future conflict within the Imperial ranks: conflict that might not actually bring about the results that ambition demands.

In this episode, we learn that the Seventh Sister and the Fifth Brother are Inquisitors seeking the same quarry. They’re competing for the same prize in a few ways, as Dave Filoni explained in Rebels Recon: the Inquisitors are not only chasing after Ahsoka and her Jedi entourage but they’re also all competing for the now-vacant position of Grand Inquisitor. Pablo Hidalgo added another detail: even the very numbers in their names might signify some sort of status, or at least another basis of competition. Even without these behind-the-scenes details, we see that the Fifth Brother and Seventh Sister are surprised to see each other and that they’re refusing to share credit or information with each other. I don’t blame the Seventh Sister, as she’s much cooler than the Fifth Brother so far (SMG’s voice acting and the character animation and design knocked it out of the park — she’s described as a thinking man’s villain, and I’m looking forward to seeing what that entails) but she’s clearly willing to pretend she has knowledge that she doesn’t, just to make a play at withholding information from the Fifth Brother. That’s not very productive. Read More

License to Kill: How Does Del Rey Fit Into The Disney Era?

anewdawnNow that we’ve all had well over a month to digest the Force Friday releases, some big-picture reactions are taking shape. Recently Jay elaborated on how the Servants of the Empire series tells us a great deal about the canon Empire and why it falls; maybe even more than it set out to. Before that, Sarah discussed how my early fears may have been unfounded, and that the earliest rounds of The Force Awakens merchandise appear to be far more progressive and gender-inclusive than similar items from that other Disney wunderkind, Marvel.

Another thing that’s been bouncing around my head has proven to be a little harder to talk about; but the truth of it remains: it seems to me that Disney-Lucasfilm Press—the in-house publishing division that has released numerous middle-grade books like the Servants series and the “young adult” Lost Stars—is officially running circles around Del Rey. Some might say that producing books for younger readers (even dozens of them) is an easier job than producing “adult” novels Del Rey-style. I don’t particularly think that’s true, but even setting aside all the short stuff, Lost Stars is the equal of any adult novel in both length and maturity, and for many is simply the best novel—no qualifiers needed–of the new canon. Lost Stars is proof that Disney and Lucasfilm are capable of producing a full-length novel that deserves to stand alongside anything ever published by Del Rey, or Bantam before them; and they’re capable of doing it in-house.

Compared to a lot of other fans I know (including some who write for me), I’m a relative pushover when it comes to Star Wars books. It’s very rare that I emphatically dislike anything; when I was reviewing for TheForce.Net I almost never rated a book less than 3 / 4, because the GFFA is such a fun setting that I can usually enjoy even a disappointing book on some level. So none of this is to say that I think Del Rey’s output has sucked over the last year; not everything has been my cup of tea but I’d only describe Tarkin and Heir to the Jedi as remotely disappointing; Aftermath, and Chuck Wendig himself, was a rollicking breath of fresh air for Star Wars publishing, and John Jackson Miller is quite simply one of my favorite Star Wars writers ever and can do no wrong in my eyes. Read More

The Theatrical Trailer – The First 24 Hours

Almost exactly eighteen months ago, Lucasfilm announced the reboot of the Star Wars Expanded Universe—or Legendsification, if you will. It happened on a Friday, and it was such a seismic moment for your humble nerds at Eleven-ThirtyEight that I wanted to document the days that followed as accurately as possible. The next Monday, we published Das Reboot – The First 48 Hours, a group piece that, unlike our average Not a Committee, I presented entirely in chronological order, timestamps and all—so readers could feel the sequence of emotions unfold in “real time”.

With Tuesdays being an off day, I thought it’d be fun to cover the first 24 hours after the new trailer the same way—but while the trailer technically went public at about 10pm Monday night, interest was so high that the Jedi Council Forums were down on and off for a couple hours (and then again Tuesday afternoon)! I eventually got a DM off to the gang, though, and below is what followed.

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12:14 AM – Mike: So, JFC, LOL, and TBH, that was a trailer. I’m not even going to try to be especially coherent right now, but there’s just so much to freak out about here: new character voices! A mountain range with a familiar-looking trench in it! Finn’s “oh shit” face when he sees Kylo’s lightsaber! Han and Leia being all tender and stuff! How are you guys feeling? Read More

The Secret Academy — the answer to why the Empire fell so quickly (Also: Why you should read Servants of the Empire)

(As ever, we will endeavor to avoid spoilers – but as usual, this piece is analysis as much as review so we’ll be discussing the plot in vague terms to make the points we’re making)

secretacademyAs the Journey to The Force Awakens campaign kicked off on September 4th, one of the many questions readers started asking was: why is the Empire falling apart so quickly? The obtuse answer is that this is what the story demands, and we’ll learn the full reasons on December 18th. But many of us thought the war would last far longer than in the Expanded Universe, where the Empire was driven out of the Core Worlds as early as five years after Return of the Jedi. Surely this time the war would truly rage on for many many years: but that’s not what happened. Suddenly, the Empire of the EU seemed a lot more solid and formidable. Folks speculated as to the reasons why, such as the collapse of central authority, the unwillingness of the Navy to waste time protecting a symbolic world like Coruscant, defections to the New Republic, etc.

The real question, though, was why nobody was bothering to fight for the Empire? Even discounting propaganda, surely folks might feel under threat by the rebels and would want to defend their way of life? The Alliance/New Republic approach to the war doubtless played no small part in the lack of widespread Imperial resistance on the part of the galactic citizenry (something that we may touch on in our next “Gray Matters” piece), but Imperial collapse signifies a widespread lack of support for the Empire. This is in marked contrast to both Revenge of the Sith – where the Empire was ushered in by thunderous applause – and the old EU, where the Empire had solid support for quite some time.

Jason Fry’s Servants of the Empire books in general and The Secret Academy in particular give us the answer. This series – among many things – explores the true lengths the Empire goes to in order to inculcate loyalty in its subjects, and it shows that the Empire’s attempts at gaining the populace’s loyalty are manipulative at best and outright programmed at worst. The Empire does not inspire devotion or loyalty, it instills it by force. But The Secret Academy shows us that indoctrination through propaganda and misinformation is the gentlest of the Empire’s methods, and it has more sinister ideas in mind for the future of the galactic populace. Edge of the Galaxy already explored the Empire’s exploitation of planets, Rebel in the Ranks illustrated the brutality inherent in Imperial training, and Imperial Justice showed us the dark side of Imperial oppression: but The Secret Academy shows the existential danger posed by the Imperial system and indirectly provides the elusive answer as to why the Empire fell so quickly. Essentially, the Empire doth protest too much: the sheer lengths the Empire goes to shows that even the servants of the Empire aren’t really willing adherents of the system. Read More

It’s Not Over Yet – The Return of the Clones

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Ben: Sometimes long-form storytelling doesn’t work out. For example, when The Clone Wars was canceled after five seasons on the air and a movie, it still left many plots and characters hanging. Many fans assumed that there would be no resolution to these things, and not without reason. With new movies in the post-Return of the Jedi era emerging and Rebels taking TCW’s place, a new focus on the original trilogy era seemed poised to doom characters like Ahsoka, Ventress and Rex to obscurity, perhaps not for forever, but for a very long time.

Fortunately for the legions of TCW fans out there, there has been a steady, if much slower than previously, flow of information, references and details from TCW postmortem. Starting with the “Lost Missions” from the unaired sixth season being released on Netflix, we’ve had story threads picked up by a comic series, a novel, and now in Rebels, each one giving us a few clues as to what would have happened if the show had continued into seventh or even eighth seasons.

But what about after the end of the show? Even if the show had continued, there would still have been an end, likely corresponding with the events of Revenge of the Sith. So what would become of those characters in the years after the Republic and Separatist Alliance had collapsed? Read More